Exhibitions

Inside Cristina De Middel’s Journey to the Center of the World

In her latest series, currently on view at Les Rencontres d’Arles, the photographer flips the narrative on migration from Mexico to the United States

The second time I went to Hierve el Agua I found the place empty with just a couple waiting by one of the pools. The woman started walking into the water and I ran to take a picture, but my camera (...)

Walk into the Église des Frères Prêcheurs in the city of Arles, France, this summer, and you are immediately immersed in Cristina De Middel’s magical realist series and now photobook, Journey to the Center,  co-published by Editions Textuel and Editorial RM. The series traces a part-fiction, part-documentary story of migration from southern Mexico to California.

The project started in 2015 while De Middel was living in Mexico. “When I started the project, it was a really big topic,” she explains. “It was a time in which politicians on both sides of the border were being very vocal about the subject of migration, and with very polarized opinions. Migrants who had been crossing this border for decades and centuries were now being presented to the rest of the world in a very redacting way, all the time focusing on criminality, and as people who are basically ‘running away.’”

The official center of the world is in Felicity (California), a very small town with just a couple of houses that was founded by the French ex-parachutists François Istel. The town's key features a (...)

Despite numbers of illegal crossings reportedly dropping to a new low that year, political debate, especially within the Republican presidential campaign, was nonetheless focused on “extending walls and expanding other enforcement measures,” the New York Times reported in 2015.

A man wears a cactus helmet in a rooftop in Mexico City. Mexico. April 10, 2021.

"I really wanted to try and present them as heroes rather than cowards."

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A cactus is reflected in a mirror placed leaning on the border fence near Nogales. Arizona, USA. 2019.
The volcano Popocatepetl is one of the 14 active volcanoes in Mexico. It has been in constant eruption since 2014. Benito Juarez, whose image is framing the volcano was the first indigenous preside (...)

The series, she explains, aims to flip the narrative around migration and present the sides that are often overlooked or ignored, inspired by the courage that it takes to embark on the arduous, and often very dangerous journey, in order to support families back at home. “When I see the Western world criticizing migrants or being harsh on them and seeing it as something dangerous, it’s very hard for me not to ask myself, would you be ready to leave everything you have… just sacrifice yourself so that your family can have a better life?”

“I think this level of sacrifice and of respect and responsibility for the family is not something that we are used to anymore in the Western world. So I really wanted to try and present them as heroes rather than cowards.”

A dog looking at its own shadow. Colima, Mexico. January 2019.
The price for crossing to the US from Tapachula with a people smuggler (colloquially known as a coyote) can depend on what you look like. Africans and Asians need to pay more, because migration off (...)
A red thread is placed around some catctus in the desert of Sonora un Arizona, in reference to the migrants that get lost while crossing the border. Tucson, Arizona, USA. January 2019.
The village of Xicotepec, Puebla, is home to one of the tallest statues of the Virgin of Guadalupe, the patron saint of Mexico. Puebla, Mexico. May 2021.

The project started when De Middel was in Los Angeles and decided to rent a car for a few days. While driving along the border between Mexico, Arizona and California, she came across a sign that said the “Felicity Center of the World” and decided to explore. Inside, she discovered the story of a retired French legionnaire who had bought the land and declared that it was the center of the world, which was then confirmed by California’s Imperial County and  France’s Institut Geographique National.

I discovered Felicity by chance in 2015 while driving around the roads of southern California. Its unique history and logic, coupled with its proximity to the Imperial Sand Dunes border fence with (...)

“To me, the fact that the center of the world existed and that it was located in the USA, and determined by a Frenchman… there were too many clichés going on there, this arrogance of deciding where the center of the world is and in such a meaningful location, from where actually many migrants need to walk through.”

As a contemporary interpretation of “Our Lady of the Iguanas” by Mexican photographer Graciela Iturbide, I’ve reimagined that iconic image to highlight the fascination that drug cartels have for ex (...)
The Trump administration’s “Zero Tolerance” policy, introduced in April 2018, mandated criminal prosecution for adults entering the US unlawfully, and resulted in the separation of families, since (...)

From there, drawing inspiration from Jules Verne’s Journey to the Center of the World, and using Felicity as her fictional “center of the world,” De Middel set out to explore various locations in the region that would allow her to tell her story, exploring volcanoes, caves, and landscapes around the border.

A mexican pole vault jumper trains by the wall in Tijuana beach while a family uses the wall to mount their beach day tent. Meixco. 2019.
A plane takes off from the Los Angeles Airport. USA. 2021.
quinceañera is a celebration of a girl’s 15th birthday, marking the transition from childhood to womanhood. Families typically spend an average of $20,000 and prepare for the celebration for years. (...)

As with much of her practice, Journey to the Center blends fiction and reality in a half-documentary, half-conceptual approach. For seven years, De Middel spent time with people that she came across in what she calls an artistic collaboration, mixing this documentary-like approach and their real stories with a more surreal, mythological, or symbolic visual approach. 

In the video below, drawn from her online course Stranger than Reality, De Middel reveals the idea notebook that she used for the project, showing a rare glimpse into her ways of working and how she translates her ideas into visual and creative expressions.

“This exhibition is not here to provide answers,” she tells French journal Konbini. “But more to move away from this polarization of society which uses migration, in other words, real people and their lives, their fate, their dreams, as a political tool or a weapon to create further divides within society.” 

Visit the exhibition “Journey to the Center” at the Église des Frères Prêcheurs in Arles, France until August 25, 2024. 

Stranger than Reality,” De Middel’s online course is now on sale as part of the Magnum Summer Sale. This August, use the code “SUMMER20” at checkout for 20% off. 

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