News

The Lebanese Civil War, 50 Years Later

50 years ago, Magnum photographers documented the Lebanese Civil War, a devastating conflict that shook the country for 15 years

Civil War. Swinging their Soviet made weapons, a group of Chamounist militiamen block the crossroads into the Christian sector of Achrafieh. East Beirut, Lebanon. 1978. © Raymond Depardon / Magnum (...)

Fifty years have passed since the start of the Lebanese Civil War on April 13, 1975. The 15 years of armed conflict, which killed approximately 150,000 people and displaced at least 800,000, continues to reverberate in Lebanon’s collective consciousness. The aftermath of the war changed the country’s trajectory; it brought about the Syrian occupation until 2005, and the Israeli occupation of southern Lebanon until 2000. The Israeli ground invasions in 1978 and 1982 eventually resulted in the removal of the PLO militia from Lebanon, and spurred the emergence of Shiʿi groups such as Hezbollah.

Driven by sectarian violence, class struggles, foreign interference and invasions, the war’s consequences still linger as the country grapples with internal crises, political instability and, more recently, Israeli bombardments.

Civil War. A Christian Phalangist. Beirut, Lebanon. 1978. © Raymond Depardon / Magnum Photos

In 1965, at the age of 23, Raymond Depardon traveled to Beirut for the first time, portraying the Mediterranean port as an idyllic oasis — a center for cultural and intellectual life in the Middle East. When he returned in 1978, the Beirut he knew had turned into a war zone; the city was in ruins, and continued to crumble before his eyes. His book, Beyrouth Centre-Ville (2010), juxtaposes these two visits, recording the before and after of the devastating conflict.

A young man stands in his bombed apartment. Achrafieh district, East Beirut, Lebanon. 1978. © Raymond Depardon / Magnum Photos
Women and children take refuge in an underground shelter, below the building where they live, in the Christian sector of the city. Achrafieh district, East Beirut, Lebanon. 1978. © Raymond Depardon (...)

In the 1980s, Abbas visited Beirut, where the Green Line acted as a demarcation during the Civil War, separating the Christian majority in East Beirut from the Muslim majority in West Beirut. This stretch became an epicenter for the clashing militia, and because of the lack of traffic, lush vegetation overtook the strip, giving it its name. While the Green Line no longer exists, it remains a turbulent site in the collective memory. 

The Green Line demarcation zone between Christian East and Muslim West Beirut during the Civil War. Beirut, Lebanon. 1982. © Abbas / Magnum Photos
A huge cross hovers above Maronite priests and Phalange militia at a requiem mass in the open, dedicated to President-elect Bechir Gemayel, killed in an explosion planned by Syrian secret services. (...)
A young man, amputated of both legs during the Civil War, is fitted with an artificial leg. Beirut, Lebanon. 1977. © Abbas / Magnum Photos

Chris Steele-Perkins photographed Lebanon extensively during the civil war, notably the 1982 Sabra and Shatila massacre, where the Israeli-backed Phalange militia killed thousands of Palestinian and Lebanese civilians. His photos also attest to the disquieting dissonances of war — children playing in the wreckage, a boy licking a lollipop as he passes a propagandist poster, and a man holding a machine gun in a thicket of yellow wildflowers.

On September 16, 1982, members of the Kataeb Lebanese Phalangist militia attacked the Palestinian Sabra and Shatila refugee camps, massacring at least 1,500 people. Palestinian families mourn relat (...)
Young children playing in the wrecked vehicles near the Sabra and Chantila Camp. Beirut, Lebanon. 1983. © Chris Steele-Perkins / Magnum Photos
Amal militia waiting for the arrival of prisoners released by the Israelis from a camp in south Lebanon. 1985. © Chris Steele-Perkins / Magnum Photos
Publicity on a wall for “Revolt In The South,” a Shi’ite film showing in west Beirut. Beirut. 1985. © Chris Steele-Perkins / Magnum Photos

In 1982, Gilles Peress documented the Palestine Liberation Organization’s (PLO) withdrawal from Lebanon after being trapped by Israeli forces for 70 days, following a cease-fire brokered by the U.S., amid escalating tensions and Yasser Arafat’s growing influence.

Surrounded by bodyguards and PLO fighters, Yasser Arafat heads for the port of Beirut to embark for Greece. August 27, 1982. © Gilles Peress / Magnum Photos
A Palestinian soldier bids farewell to a relative at the Beirut harbor as PLO troops depart for Cyprus. During the Lebanon War of 1982, Arafat and PLO forces were trapped in Beirut as Israeli Defen (...)

Eli Reed planned to work in Beirut for no more than three weeks. He ended up staying for over four months, chronicling everyday life during the civil war, which culminated in his book Beirut: City of Regrets

Reed writes about his impressions while there: “My Lebanon experience began in 1982 during my Nieman Fellowship year at Harvard University. I had heard accounts of the 1982 Israeli invasion from journalists visiting the school. The stories compelled me to try to understand how the average Lebanese citizen could survive their days and nights. So I resolved to go and see for myself. I arrived in late September 1983, relatively wide-eyed with little historical background or perspective. […] I had little down time while I was there, photographing everything and anyone who came near. […] Lebanon holds the history of five thousand years or more of living. We point in silence at the fickle finger of ethical behavior — as if we had the right. What we should do is truly learn from it.”

A man and a young fighter walk the streets of Beddawi, a Palestinian refugee camp. Beirut, Lebanon. November 1983. © Eli Reed / Magnum Photos
Boy with gun. Palestinian demonstration in the Beddawi refugee camp. Beirut, Lebanon. October, 1983. © Eli Reed / Magnum Photos
A young Palestinian boy at the Tripoli front. Beirut, Lebanon. November 1983. © Eli Reed / Magnum Photos
Beirut, Lebanon. 1984. © Eli Reed / Magnum Photos

After the war ended in 1991, Magnum photographers returned to the region to document the devastation in Beirut and the toll of the 15-year conflict on both the city’s infrastructure and its residents. Their images are testimonies of the relentless violence experienced by the country’s diverse communities, and facilitate our understanding of Lebanon’s past and present.

El Ahdab Avenue. Beirut, Lebanon. 1991. © René Burri / Magnum Photos
Wadi Abou Jémil district. Beirut, Lebanon. 1991. © René Burri / Magnum Photos

Myriam Boulos, who joined Magnum as a Nominee in 2021, was born in Lebanon in the direct aftermath of the Civil War. Her debut photo book, What’s Ours (Aperture, 2023), documents her home country, zeroing in on moments during the October 2019 uprising, when hundreds of thousands gathered across Lebanon to protest the widespread corruption of sectarian leaders and extreme austerity measures that crippled the population. Boulos also photographed Beirut after the disastrous port explosion in August 2020. Weaving intimate journal entries and fragments of conversation about the protests alongside her images, she explores sites of violence on nature and the body. “I just want to remove all this year’s data from my body,” she writes, “and start feeling subtle things again. Delicacy and magic.”

From the book "What's Ours." Beirut, Lebanon. August 6, 2020. © Myriam Boulos / Magnum Photos
From the book "What's Ours." Beirut, Lebanon. October 18, 2019. © Myriam Boulos / Magnum Photos

View a larger selection of work by Magnum photographers documenting the Lebanese Civil War here.


To license images from the Magnum archive, contact licensing@magnumphotos.com. 

Stay in touch
Learn about online and offline exhibitions, photography fairs, gallery events, plus fine print news and activities, on a monthly basis.
Get fortnightly tips and advice articles, find out about the latest workshops, free online events and on-demand courses.
Stay up to date every Thursday with Magnum photographers’ activities, new work, stories published on the Magnum website, and the latest offerings from our shop.