Making the Image: Che Guevara by René Burri

Magnum Contact Sheet Prints tell as much of a story as the single image that goes on to become iconic: they reveal the ‘befores’, the ‘afters’, and the ‘almost-theres’ that surround some of the most iconic photographs.

Reproducing the original without alteration, the 16×20″ Magnum Contact Sheets offer a unique insight into the methods by which members have produced some of their best-known images. These prints, including Rene Burri’s which is explored here, are available exclusively on the Magnum Photos Shop.

On October 9^th, 1967, professional revolutionary Ernesto Guevara de la Serna, better known as Che Guevara, was executed by Bolivian armed forces. Che Guevara, the Argentine-born Marxist revolutionary and Cuban guerrilla leader, had become part of Fidel Castro’s efforts to overthrow the Batista government in Cuba. Later, he became president of the Cuban national bank and encouraged a shift of the country’s trade relations from the United States to the Soviet Union. Three years later, he was appointed minister of industry. Guevara left this post in 1965 to export the ideas of Cuba’s revolution to other parts of the world.

In 1962 René Burri visited Havana on commission for Look magazine. One of the resultant portraits of Guevara smoking a cigar became an iconic image of the 20^th century. For the book Contact Sheets, René Burri told the story behind the photograph:

“I arrived with the US reporter Laura Berquist from Look magazine. Che had invited her when they met at the end of 1962 in New York. I immediately realized that the blinds were closed. Since this posed a technical problem, I asked him, ‘May I open the blinds?’ And he said, ‘No, it’s not necessary.’ Only later did I realize that he was so focused on what he was doing that he didn’t want to see what was going on outside.

The interview began right away, and after a while they simply ignored me. The conversation became heated. Sometimes he would speak with a certain charm, but sometimes he would grab some papers. I have a photo of him jotting down figures. From time to time he would get up and leave, and he would always come back wearing his officer’s boots and combat fatigues. I remember that when he bit off the tip of his cigar, I expected him to offer me one, but he was so immersed in the discussion, which was lucky for me because I was simply ignored for two whole hours. He never once looked at me, which was extraordinary. I was moving all around him, and there isn’t a single photograph in which he appears looking at the camera.

Magnum distributed the story all over the world. In 1966, some friends asked me, ‘René, can we make a poster?’ And they made a huge poster framed exactly like Che’s photograph. And from that moment on, it all began. People wanted to have the photo. The real boom was in Paris, in May 1968, when the photo appeared on flags. Later, when I returned to Havana, I saw my photo on T-shirts at the Ministry of Information, and I even bought some for my children. I told the salesperson, ‘That photo is mine!’ And I bought my T-shirts.

I regret not having seen Che again. To me what really matters is to preserve his image as a visionary, as a man who was willing to go to the very end. I believe the struggle continues.”